Courtroom Dispatches

Artist Interview Explores The Gospel According to Paul

By Katie Powell September 6, 2026
Artist Interview Explores The Gospel According to Paul - paul keating

The Gospel According to Paul, starring Jonathan Biggins as former Australian Prime Minister Paul Keating, is set to return for a final run at the Sydney Opera House from June 4 to 23. Biggins, a seasoned performer known for his work in the Sydney Theatre Company’s The Wharf Revue, shared his insights into the challenges and rewards of embodying the complex and charismatic Keating.

Portraying Keating in Today’s Political Scene

In the contemporary political scene, both in Australia and globally, Biggins finds it an ‘honour and a privilege’ to bring Keating’s story to life. He attributes the show’s enduring success to Keating’s unique blend of theatrical flair and transformative leadership. Biggins believes that Keating’s inner drive was fueled by Enlightenment ideals and an unyielding pursuit of perfection, even when acknowledging its unattainability.

“He once said: ‘I know there’s no such thing as the ideal, but it’s a reasonable guide to what you should be doing,'” Biggins quoted, emphasizing Keating’s commitment to philosophical reflection and personal growth, qualities he sees as lacking in contemporary politics.

Biggins also highlighted Keating’s skill in reframing Australia’s national identity and economy, noting that the then-Prime Minister’s bold approach to reforms was deeply influenced by his personal beliefs and vision for the nation’s future.

The Show’s Resonance Today

While Biggins acknowledges that the show resonates with many, he doesn’t believe it takes on a particular resonance with the current wave of Labor governments. Modern politicians, he argues, face a slew of challenges that Keating did not, including the relentless 24-hour news cycle, the pervasive influence of social media, the rise of identity politics, and the scorched-earth tactics employed by opposition parties.

Biggins pointed out that the political scene has shifted significantly since Keating’s time. Today’s leaders must handle a more fragmented and polarised public sphere, making it challenging to emulate Keating’s transformative leadership style.

Past and Future Roles

Biggins has portrayed various political figures in The Wharf Revue sketches, including current Prime Minister Anthony Albanese. However, he doubts that any contemporary leader could sustain a 90-minute solo show due to the lack of charisma and historical context required to engage audiences for that duration.

“Gough [Whitlam] would have been fun 30 years ago,” Biggins mused, “but I think the audience for such shows might be dwindling.” He acknowledged that many of Keating’s fans weren’t even born when he was Prime Minister, but the show continues to draw diverse and enthusiastic crowds.

Audience Reactions

Biggins has been consistently surprised and delighted by the diverse and enthusiastic audience reactions to The Gospel According to Paul. Despite the show’s run in the heart of former Prime Minister Tony Abbott’s old electorate, it drew sell-out crowds with a mix of political leanings, demonstrating the enduring appeal of Keating’s story.

In addition to drawing diverse crowds, the show has also attracted Keating’s colleagues, including John Dawkins, Gareth Evans, Don Watson, and Barry Jones. Keating’s daughters and his former wife, Anita, have also attended and praised Biggins’ performance, highlighting the show’s ability to captivate and engage audiences across the political spectrum.

“What’s not to love?” Biggins said, reflecting on Keating’s fascinating life story and the show’s blend of humor, history, and heart. “It’s an entertaining show that has laughs, history, and heart. It serves as a reminder of what political leadership can look like and offers a glimpse into the life of one of Australia’s most captivating and influential figures.”

The Gospel According to Paul promises an engaging and thought-provoking experience that combines historical insight with laughter and emotion. Despite the challenges of sustaining a 90-minute solo performance, Biggins finds joy in capturing Keating’s swagger and historical grasp.

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